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Certain music works particularly well for certain
parts of the ceremony.
Please note that these samples are
mostly of other musicians with different arrangements. We put them
here solely to let you know how the melody sounds.
Music for the Prelude
During the 15-30 minute prelude, guests arrive and are seated while the
wedding party readies for the ceremony to begin. Music played now sets the
tone of the ceremony, whether elegant and refined, happy and exuberant,
traditional, or serene and contempletive. Many couples will request here a
favorite piece that they can't put anywhere else in the ceremony.
Otherwise, couples usually opt to tell us the mood they want to create and
let us select the pieces to fit that mood. Many pieces that work for
particular parts of the ceremony are appropriate here as well. The prelude
continues until the processional or the seating of the families.
Brahms
Theme from
1st Symphony
Franck
Panus Angelicus
Gluck
Minuet (Dance of the Blessed Spirits)
Handel
suite: Water Music
suite:
Royal Fireworks Music
Liszt
Liebestraum
Mozart
Alleluia from Exultate, Jubilate
March
Eine Kleine
Nacht Musik ( Available on "Live Recordings " Page)
Music for the Seating of the
Families
Couples often choose to honor their families by having particular music
played while they are being seated. Bach's Ave Maria and Schubert's Ave
Maria are favorites, but music with personal significance or any
music chosen to fit the mood of the wedding ceremony will suit this part
of the program. Those seated during this time traditionally are the
mothers of the couple but can include any other family members, such as
grandparents. Often, informal ceremonies or short ceremonies maintain
continuity of effect by omitting this part of the program. In such
cases, the families are seated towards the end of the prelude.
Bach, J. S.
Ave
Maria
Ivanovici
Waves of the Danube (The Anniversary Waltz) ( Available on "Live Recordings" Page)
Schubert
Ave Maria ( Available on "Live Recordings" Page)
Music for the Processional
For ceremonies with more than two attendants, couples usually
choose to have two different musical processionals. The attendants'
processional is typically lyrical and refined in feeling. A favorite is
Pachelbel's Canon in D or Bach's Jesu, Joy of Man's Desiring, but many
works, particularly those from the Baroque period, fit this mood very
well.
Bach, J. S.
Jesu, Joy of Man's Desiring ( Available on "Live Recordings" Page)
Clarke
Trumpet Voluntary (Princess Diana
used this for her processional.) ( Available on "Live Recordings" Page)
Corelli
Movement 6, Largo, from The Christmas Concerto
Jenkins
Allegro, from Palladio (theme from the Diamond
commercial)
Pachelbel
Canon in D ( Available on "Live Recordings" Page)
Vivaldi
Allegro from 1st movement of Spring: The Four Seasons
Debussy
The
Girl with the Flaxen Hair
If two processionals are played, the grander in feeling is
the bride's processional. Most traditional is Wagner's Bridal Chorus, but
many other pieces do an excellent job of helping the bride to command
attention with her entrance. Short or informal ceremonies often have one
piece to announce both the entrance of the attendants and the entrance of
the bride since breaking up a short period with two different pieces
of music can feel fragmented.
- Borodin
-
String Quartet No. 2
- Massenet
-
Meditation from Thais
- Mouret
-
Rondeau (theme from Masterpiece Theatre)
- Mozart
-
March from Marriage of Figaro
- Sartori
-
Con te Partiro (I Will Go with You, aka Time to Say Goodbye, popularized by Andrea
Bocelli)
- Vivaldi
-
Largo from Winter: The Four Seasons ( Available on "Live Recordings" Page)
-
Allegro non molto from 1st movement of
Winter: The Four Seasons (particularly
good for a single processional because it has
two different parts.)
- Wagner
-
Bridal Chorus from Lohengrin 
Music during the Ceremony
Often, once the bride finishes her walk down the aisle, the only sounds
come from the officiant, the bride, and the groom. During Catholic
ceremonies, Ave Maria is often played as a musical offering to Mary, and
other hymns, usually suggested by the church's music director, are played
during the offering. Some couples choose to have music played during the
lighting of a unity candle or softly under special readings. During
the ceremony itself, especially when the couple have included religious or
uniquely personal elements, this is an excellent opportunity to
include music with significance to the couple.
- Bach, J. S.
-
Sheep May Safely Graze
-
Air
('Air on the G String') ( Available on "Live Recordings" Page)
-
Arioso
-
Music for the Recessional
The recessional is the grand exit of the entire wedding party. The most
traditional music for the recessional is Mendelssohn's Wedding March, but
many pieces have the kind of triumphal joyfulness that characterizes the
best recessionals. This is the last piece of music associated with the
ceremony proper.
- Handel
-
Hornpipe from Water Music ( Available on "Live Recordings" Page)
-
La
Rejouissance from Royal Fireworks
-
Arrival of the Queen of Sheeba
- Mendelssohn
-
Wedding March from A Midsummer
Night's Dream ( Available on "Live Recordings" Page)
- Mozart
-
Rondeau, from Eine Kleine Nacht Musik
- Purcell
Trumpet Tune
- Sousa
The Liberty Bell March
- Schubert
The Bird
- Tchaikovsky
The Sleeping Beauty Waltz
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Remember, the above are merely guidelines. Nothing is set in stone,
and nothing is right or wrong. If you want a particular piece
during a particular part of the ceremony, then by all means you should
have it. Let the experienced players of the Heights Chamber Players
select the music to fit your chosen mood, or pick your music minutely to
reflect your taste: involve yourself to whatever degree you wish. THIS
IS YOUR DAY--HAVE IT YOUR WAY! |